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Audio Glossary S-Z


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*A reminder about the spelling used on this site and in this glossary.


Page last updated

10 June 2002

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S

Saturation (Tape): The distortion caused by magnetic recording media being unable to store as much high frequency information as low frequency information.
Scrubbing: The process of moving within an audio file or tape to audibly locate a particular section. The term originally comes from the days of reel-to-reel players, when rocking a reel would give the impression of scrubbing tape across the head. Many audio scrub tools today allow the user to drag a cursor across the wave form to audition different sections of the audio file.
Sibilance: The distortion of sibilants by recording and reinforcement systems incapable of handling the high frequencies present in such sounds. See also "Saturation".
Sibilants: High frequency sounds in speech, such as "S", "F" & "T".
Sidefill: Foldback speakers placed at sides of stage providing general coverage for performers when monitor wedges are insufficient. See also'drumfill'.
Signal processors: Electronic devices which alter sound either to achieve a particular effect or to solve a problem with that sound (e.g. delays, compressors, reverbs, noise gates, equalisers).
Slap-Back Echo: See 'Echo'
Snake: See Multicore
Sonority: See Timbre
Sound Check; Soundcheck: The process of establishing the appropriate balance between the various instruments and vocals for both the FOH and monitor system prior to performing. Usually carried out by the engineer having the band play through several songs at the venue after the 'Room EQ' but before the gig.
Sound engineer: Person responsible for sound production.
Sound reinforcement: The use of amplification to project and reinforce sound for an audience. Speakers: Devices that convert electrical signals into variations in sound pressure.
Stack: A group or cluster of loudspeakers placed in close proximity to one another so they function more as a single unit due to acoustic coupling and other factors. Examples: PA stack; Marshall Stack.
Stage Box: A junction box at the stage end of a multicore equipped with female XLR connectors used for microphone signals destined for a mixing console at the other end. May also contain several male XLR connectors for signals sent back up the multicore from the console.
Streaming: A technique for transferring data such that it can be processed as a steady and continuous stream. Streaming technologies are often used on the Internet because most users do not have fast enough access to download large multimedia files quickly, so the client browser or plug-in can start displaying the data before the entire file has been transmitted.

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T

Tablature or TAB: Notation commonly used by guitarists which indicates fingerboard position by numbers, symbols and diagrams.
Three Phase: A five-pin power supply system consisting of 3 legs/phases of active power with one earth and one neutral.
Timbre: The combination of harmonic frequencies in voices or instruments which give them their characteristic quality. Synonyms: 'Quality', 'Sonority', 'Tone Colour'.
Tone Colour: See Timbre
Transducer: A device designed to convert one form of energy into another. An example of a transducer that converts acoustic sound energy to electrical energy is a microphone; examples of a transducer that convert electrical energy to acoustic sound energy are speakers and headphones.
Tremolo: 1. A fluctuation of amplitude applied to a sound of constant frequency. Often incorrectly used, as in 'tremolo arm' on a guitar which actually produces vibrato. 2. For stringed instruments such as a mandolin, fast up and down strokes of equal strength of the plectrum or index finger on the strings.
Tremolo arm: a lever which alters string tension on an electric guitar, used to produce a tremolo or vibrato-like effect.
Truss: Section of steel or aluminium box, or triangularly-braced metal work used for suspending lighting or audio equipment.
Tuning: Adjustment of pitch of musical instruments to correct values.
Tuner: Electronic device used to tune acoustic or electronic instruments to standard pitch.

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U

V

VCA (Voltage Controlled Amplifier): An amplifier whose output is controlled by varying its voltage rather than by direct resistance (as with a potentiometer).
VCO (Voltage Controlled Oscillator): An oscillator whose frequency output is controlled by varying its voltage rather than with a potentiometer.
VCF (Voltage Controlled Filter): An audio filter whose effective frequency band is controlled by varying its voltage rather than with a potentiometer.
Vibrato: Expressive effect which producers a fluctuation of pitch. A rapid, slight variation in pitch in singing or playing some musical instruments, producing a stronger or richer tone. It is often used as an expressive device.
Volume: Loudness of sound; a subjective sensation dependent on the amplitude of a sound wave or electrical signal, but not linearly related to it.

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W

WAV: The format for sound files developed jointly by Microsoft and IBM, and built into Windows 95 which made it the de facto standard for sound on PCs. WAV sound files end with a.wav extension and can be played by nearly all Windows applications that support sound.
Waveform: A graphical representation of a signal as a plot of amplitude versus time, i.e. the shape of a wave.
Wave Table Synthesis: A technique for generating sounds from digital signals. Wave table synthesis stores digital samples of sound from various instruments, which can then be combined, edited, and enhanced to reproduce sound defined by a digital input signal. Wave table synthesis reproduces the sound of musical instruments better than Frequency Modulation (FM) synthesis.
Wedge: Foldback speaker placed on the floor at the feet of stage vocalists to deliver the monitor mix for performers.

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X

XLR: Multipoint plug used for professional audio equipment

Y

Z

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If the spelling looks strange in this glossary, read on ...

It may not be us, it may be where you live ...

From time to time, we are taken to task about the supposedly terrible spelling on our pages - particularly by residents of the USA.

Sometimes it's a simple case of those dreaded typos slipping through our proof-reading. If that happens, let me know. But most of the time it's a matter of geography and culture producing variations of the English language. Where you went to school determines what is 'correct' for you.

We are based in Australia, a country which together with most of the English-speaking world, uses Standard English. The USA uses its local variant - American English - which not only uses quite different spelling for many words, but reflects many cultural differences as well.

Here are just a few of the spelling differences:


Standard English
vs
American English
CENTRE
vs
CENTER
COLOUR
vs
COLOR
CATALOGUE
vs
CATALOG
CHEQUE
vs
CHECK
ENROLMENT
vs
ENROLLMENT
FAVOURITE
vs
FAVORITE

So if some words don't look quite right to you, relax. We're not dyslexic, we just use Standard Oxford Dictionary spelling, not Websters.

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