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Welcome to the Silver & Gold members zone. You are now in the company of people who actually say things like ...

"It sounds a lot more like it does now  than it did ten minutes ago."
-- Unknown A&R guy

... More quotes

MESSAGE TO MEMBERS

Thanks for your support. Like the site? Then tell your friends. Want to contribute thoughts or make suggestions? Then contact me. This site is a continual work in progress and needs your input to grow and reflect your needs.
Vyt Karazija
Audio Training Consultants

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Page last updated

15 July 2002

 

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BECOME AN AUDIOED LINK DETECTIVE
Find those extra links that we can't!
We search constantly, but are still missing some links for facilities in certain areas. If you have local knowledge, help out by becoming one of our Link Detectives and be rewarded with free additional access to the members zone. More details here

PRODUCT  NEWS

Apogee Digital
Apogee Digital are the pioneers of the UV-22 process. UV-22 is a word-length reduction process which can convert 24-bit audio data to 16 or 20-bit data while maintaining the quality of the larger word size.

Amongst other things it means your 24-bit mixes can be successfully transferred to 16-bit CDs without sacrificing their original high resolution.


Audio Network
Publisher of high quality music and sound effects for film and television - without the traditional hassles of licensing music. UK-based, but covers both sides of the Atlantic.

The Kelly Industries Monitors Page
Although located on a music store site, this page contains a huge range of monitors of all types, with images and very useful descriptions and links.

INTERESTING LINKS

Check these out & bookmark them before they change!

Track Bouncing on V Tracks - For digital recording enthusiasts - how to get the best out of virtual tracks
Metering - Excellent article from PH Music on all types of meters and calibration standards
Patching Up - A Patchbay FAQ from Sound on Sound. Very good article, but I do disagree with the comments about bantam (TT) patchbays being unreliable ...
The Producer-Engineer Interface - A droll but devastatingly accurate look at the relationship between the 'creative' producer and the 'techie' engineer - by Jerry Summers

NOTICES
Special Notices
<None posted>

Site Updates: Check the log of additions for the latest new stuff - and don't forget to refresh / reload pages to make sure you are viewing the latest version.

Platinum Members
- top link in the left nav bar takes you to the On-line Course .

Studio Recording - An Intro is now on-line!

 TIP OF THE WEEK

Tip of the Week Archives

Becoming a Producer
Almost as soon as assistant sound engineers learn enough about studio recording to spell "EQ", their ambitions begin to drift towards the possibility of working as a producer. They see dollars, or power, or the seductive pull of being totally in charge of the artistic direction of a recorded work, and sooner or later, I get the inevitable question:

"How do I go about becoming a producer? Is there a course I can do? "

It all depends on how you define "producer". In its simplest sense it can mean anyone involved in sound production - so if you are a songwriter, musician or sound engineer, you could be regarded as a "producer of sound" ...

If that's what you want (and you have the talent), then experience, skills in recording (i.e. "music production") can be gained through on-the-job training, sound engineering courses or a combination of both. There are many courses from which to choose.

Full article continues here


 MEMBERS HELP! FORUM

Do you have a specific question that could be answered by other members? Check out the Members Help! Forum page to ask your questions and receive answers from members.

For more general questions, check our question & answer page where members can ask broader questions such as "How do I get started as a sound engineer in this industry?"



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Original site content © 2001, 2002 V.Karazija/Audio Training Consultants Pty Ltd. All rights reserved.

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CONTRACTS
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